Apocalypse of Jude » North Gate

Apocalypse of Jude

Fragment 1 /Christmastide /Compline /Thurs, 24 Dec 1998

Mae stares at her de-based, tear-blotched face in the hotel bathroom mirror. It is the face of mourning filled with Dionysian desire for Paul. Outside she can hear the jazz piano and upright bass jive up the pace. Excited that her nine-month mourning is about to end, she steps dishevelled back into the dining hall and sees the dance floor filled with couples taking a turn. Her father is nowhere to be seen.

“Would you like this dance?”

Mae feels Paul’s presence behind her. She turns, smiling wildly. She feels him take her offered hand and lead her to the dance floor where the rhythm sinks into them. The sensation of his hand as a secure pivot on her back moves her more aggressively into the dance. She is looking for his flesh to give her wildness form. As she finds it, the perception grows in her that Dionysus possesses her spirit now entirely. The music glides to a definitive finish.

“Come Mae, I think we should go now. Le roi est mort.”

She shivers at the chilling sound of her father’s murder. But the Dionysian spirit makes it a distant concern.

“Where are we going?”

Paul looks at her, his eyes glowering with an ecstatic desire.

“I have seen you Mae. I know what you want. You are the sibyl hanging in a jar. But I can free you.”

She smiles at him. “Right now I just want to get out of here and become the wild woman.”

“Then take me to your sacred tree, so that we can go where we need to go.”

 

Wasteland Mix: Fragment 2

Fragment 2 /Whitsuntide /Vespers /Sun, 31 May 1998

Mae loosens the straps of her dress and lets it fall, revealing her angular nakedness. She starts to circle the living room in an entrancing ritual she now understands as the attempt to find the dead Dionysian spirit. Using the rhythm of her feet to absorb her agitated consciousness, a calmness slowly begins to suspend her, allowing her body’s rhythms to assimilate her into the trance-like state. But then she stops, frigid and scared at the malignant seeming darkness that each time she circles, promises to reach out and destroy her if she penetrates its veil. Instead, within moments of this darkness upsetting her induced calm, an increasingly insistent temptation seeps into her blood.

Trying to flee this temptation, she runs through to her bedroom, where she flings her body onto her bed, sprawling loosely across it, her limp hair streaming her face. But the desire within is pulsating its need in faster and faster blips, transforming her quickly back into a state of agitation.

/dont want to do it/ /oh please i dont want to/ /just let me alone/ /i dont want to/

She is up on her legs, pacing and then stopping, beginning to pace and stopping again, throwing her hands into her hair and trawling it back. The blood inside of her is growing increasingly hungry. Then she stops, looks coldly at her naked reflection, and with determination, moves from out of the bedroom and into the kitchen.

As she crouches inside the refrigerator door, the light illuminates her body against the dark that surrounds her, while her hands work at retrieving food. She begins feeding with a single-minded determination that obliterates the existence of anything else, until the epiphany of her seeking convulses her, leaving her falling suddenly away into the void of its goneness.

As full consciousness returns to her, she fills with remorse and guilty rage. She is on her feet, storming in her mind.

“Every time I let that happen. Every time I give in.”

A guttural sound utters from her throat, shaking her body with consuming frustration.

“I hate myself.”

She crumples to the cold kitchen floor, her voice moaning and wetness welling around her eyes.

“Why, why, why?”

Her body now begins its practised reaction to the intake, and is bloating itself. The turgidity soon overwhelms her and signals are being sent for the release of this waste.

“Stop, stop, stop.”

But her body is shaking violently, both in anticipation of the purge, and with the shock of emotional imbalance in her system. She is running through her house and is lurched over the toilet where the waste is coming up.

Her face is blotched with tears, and what is left of mascara around her eyes is running, staining the face.

/what do you want mae/

She meets her mirror-bottled reflection with a scoured coldness.

/i want to die/

Wasteland Mix: Fragment 3

Fragment 3 /Spring Equinox /Prime /Wed, 23 Sept 1998

Caul follows Paul into their house and for the first time in a long time the two of them are alone together in each other’s space. Slowly the imminent morning is closed out as Caul draws shut the mustard curtains. Then he turns to allow the soft ambience of electronic sounds to bounce off the enclosing walls.

Paul meanwhile runs his lips over the gummed edge of a rizla tucked full with grass. He seals it quick and tight and then puts it between his lips to light. After doing so, they pass the toke between themselves, inhaling it in silence. Having finished, each falls slowly back into their respective sofas as Paul starts talking.

“I’ve been less than open with you of late.”

Caul stares coldly back. “You’ve gone on without me.”

“Does that surprise you Caul?” A tiredness mixed with anger quivers Paul’s voice. “You gave it all up when Mae married Gary. I didn’t.”

Caul rubs his face vigorously with his hand, shaking his head as one in disbelief.

“Maybe that was meant to happen. It’s not like my mother cared about her marriage to have me. You had no right to go interfering.”

Bending forward, he whispers with annoyance at Paul. “These things have their own timing, their own rules and you can’t change them. You are not the superior craftsman.

Caul watches as envy washes its sheen over Paul’s face. Not moving, Paul answers.

“You are dead, are you not?”

Caul freezes within, wondering how Paul could know that. But he neither denies it nor confirms it under Paul’s scutinising eyes. Paul carries on as if the death is affirmed.

“Then, the time is now, and there were some things that needed taking care of.”

Caul remains silent, not wanting to betray his fears of Paul usurping him, not wanting to betray his knowledge of Paul’s still strong hatred for him.

“So then Caul, it’s time I brought you up to speed.”

Caul hides his relief of Paul having seen nothing.

“It’s time to get rid of Janice. She’s played the whore long enough, don’t you think?”

Paul draws a box of cigarettes from his jacket pocket.

“I know she tempts you Caul. I’ve watched her trying to drive a wedge between us, thinking she’ll be able to swing you into making her your consort.”

Cigarette between his teeth, he lights, then speaks from between them. “But I know you detest her.”

With the cigarette between the fingers of his left hand, Paul exhales.

“My three stooges hate her as well. Let her screw around a few months longer.”

Paul’s mind drifts with mild irritation to Audrey slipping from his grip, realising he’ll have to be quick in regaining her. He looks back again at Caul with confidence.

“The list of men and women whose faith Janice can whore with has run out.”

A wide, excited grin breaks on Paul’s face, but instead of dispelling the envy locked there, it only serves to bolster it.

“It’s almost time for us to put this persuasive method behind us Caul. The uprooting has mostly been done, and we can just let the violence rip. Then they will be at our mercy. We can start celebrating the mysteries freely over their dead bodies.”

Paul sits up and looks at Caul with his fixed, poised and ravaging smile running across the contours of his mouth.

“This is what you and me have been waiting for Caul. Don’t let it get away from us now. Let Jude alone. You know we need him. Don’t confuse him. Just concentrate on drawing Mae. Then everything will work out fine.”

Caul in reply turns confusedly from his listening elbow and soaks back into the foam-picked sofa.

“Are you sure?”

Paul gets up to stand over Caul, to whom it feels as if a menacing shadow has crossed him.
“Yes Caul. I’m sure.”

The shadows departs as Paul goes off to his room. Caul closes his eyes, annoyed with the uncertainty and lets his consciousness sink away into its depths, helped by the submersing ambience of music around him. But cracks of dawn light have begun to pierce the drapes. They enter his glazed eyes, refusing him the chance to dive to deeper waters and there hide from the fear that is sending his consciousness diving. Instead, it is as if the light has driven a rift between his mind and body, and allowed his soul to surface. His soul comes like the gaping mouth of a serpent ready to swallow his self back into the abyss of its own incommunicability. But before it can enclose its mouth, what surfaces in his mind is Jude’s remembrance that once upon a time by God’s Word, the waters deluged the earth, destroying the ungodly from the world except for Noah. Caul searches his own memory for the story an old lady told him once coming home from school, and remembers that in the days leading up to the deluge, Noah preached to the people while he built the ark of God’s plan to flood the earth, so that anyone who believed through Noah might be saved. On that thought he rests his growing hope despite his uncertainty, as the serpent slides unfed back into its abyss.

Wasteland Mix: Fragment 4

© Richard Wasserfall 2008. Published by Nehemiah & Blake. Some rights reserved